This page was last modified on 19 April 2014, at 10:22
“Something that pulls me out of the city”
Chris recently moved here from Virginia, and has only been set up around Pirate’s Alley for a week and a half. He is a new college grad, with a Latin American Studies degree. He “picked up” painting on the side and moved to New Orleans quickly after graduating. The draw? “Well this [Jackson Square] and the swamps. I love to be in nature, so it’s a change frm being in the mountains to coming here. Lots of new plants to look at.”
Of painting, Chris explains, “It’s the innermost part of my being. Before I’m anything else, I’m pretty much an artist. And that applies to anything I do. Whether I’m making breakfast or making a painting. And the painting allows me to…It’s pretty much my way of studying the world.” 
He’s Buddhist, he says. And painting is his way of practice, and meditation. “Something that pulls me out of the city.”
Just as selling art takes him outdoors to the French Quarter, his painting is done outdoors as well. Since Chris’ work is mostly natural landscape painting, the swamps and bayous of South Louisiana offer a fresh source of material for him. He points out something most of us city dwellers don’t think about that often. New Orleans is small, and much more proximate to these natural landscape havens than larger urban centers of the country such as New York, which Chris uses as an example. “Here,” he says, “I can be out in the middle of nowhere in an hour.”
Painting the everyday
The “everyday” is a common theme in his descriptions of his work. Landscape painting is “pretty much my way of studying the world,” says Chris. “To try to realize that every moment is special. So when I’m painting…it’s outside. I’m in the sunshine or its dark, and you have to put yourself in that place.”
This way of placing himself in the moment extends to his presentation. “I like to make it a pathway for each person to see themselves in that… see something that’s very everyday. It’s buildings. It’s houses. It’s not even people. It’s roofs, but it’s the everyday. And I like to make people appreciate that a little more.”
Chris seems to really seek out this connection between the audience and his work. He admits that one reason his work is unique in the Quarter is because oil painting is more expensive. Other artists in Jackson Square, he says, avoid this technique for its price to the customer. For this reason, Chris sells mostly smaller paintings. He maintains though, that the street is preferable to a gallery, where many people never visit. The “open-air” quality of selling art in the Quarter appeals to his intention to connect with the everyday crowd.
His everyday begins early, before dawn. To set up at the best spot around Pirate’s Alley, which he says is on Royal, it’s first come, first serve. Arriving early can make the difference in how the rest of the day goes. Despite this lack of coordination among permitted artists in the area, he says he really gets along with other vendors. “Once I did set up, it was very welcoming. Everyone was really nice. They introduced themselves to me, it was very nice.” He and the other artists make Pirate’s Alley their own. Some set up shop, as if in the studio. Others socialize, eat, and spend the larger part of their days at work.
Like many artists, success lies in grabbing the attention of the consumer. In the French Quarter, that’s usually the tourist.
He laughs when thinking about who his customers are. “Well, they’re all tourists,” he explains. “Well, one lady was from Slidell, so that’s not really tourist. But yeah, mostly tourist…I guess there was an Uptown lady that bought one of my large paintings. So I guess that’s a market I should look into [laughs], the rich Uptown ladies.”
Here, there, and all over
Chris’ second job is in the Central Business District. He works in Jackson Square four days a week, and takes regular trips to the swamps and bayous to paint. This ability to pick up and work wherever is characteristic of his generation. However, the apparent job precarity and necessary flexibility that mark the Post-Fordist economy seem to be of little concern to Chris.
Like other recent college grads who are freelancing and working multiple jobs, he’s trying to make passion into work. Chris says being an artist is “easy to do here.” He’ll stay here as long as he can. “All I really care about is painting.” He smiles.
For another glimpse at Chris’ work, check out minute 1.25 of this youtube video: https://www.youtube.com/watch?v=w-bRqbMdq8g.
- Holcombe, Chris. Interview by Scarlett Andrews. Semi-structured interview. Royal Street, New Orleans. March 17, 2014.